I'm in the process of developing a product for the popup-shop event that we're organizing to fund our 3rd year degree show, it'll take place between 31 May and 7 June. You should all come and buy our things. It's going well but it's all a bit full-on and right now I'm kind of stuck. So just to get away from the intense research, prototype & brainstorm sessions for a bit I though I'd edit and post some photos that I took with my BlackBerry during the past year. These are bits of my London life and this collection makes my life look a bit like a Lomo-romance, which it absolutely isn't. I used to love to cross-process but don't have the time or money to indulge in such luxury analog photography anymore. :'( Back to work now. x
Showing posts with label Uni. Show all posts
Showing posts with label Uni. Show all posts
Monday, 10 May 2010
Saturday, 1 May 2010
BNZLDN 100th post!! Whatever. Here's some more magazine stuff.
To those who know me well it's no secret. I love the 90's. I've always wanted to be 18 in 1994, when Hip Hop was still alive and Drum 'n Bass still pure, wobble free. Alas, I was 10. Not too young to notice what was going on out there, but not old enough to get infused with its flourishing rave culture and shellshocked by its changing cultural landscape either. The 90's imprinted its mark on me and pretty much shaped my creative interests into what they are today. Halfway through my teens I became a fervent magazine buyer. A habit which for some reason I picked up again in my early twenties. I remember still getting pocketmoney and spending it on zines on a monthly basis. My mum considered this a total waste of money and I always felt a little bad after she gave me the 'for god's sake child, save your money' lecture. But I kept buying them and (in this case) I'm happy I didn't really really listen to her. It's not like I was scoring crack, mother. So yesterday I found a box filled with magazines in a corridor. Awesome. What's even more awesome is that they're DazedConfused issues from the 90's. Yay! I would've been over the moon to get my hands on these back then but I didn't nearly have enough money to buy every magazine I wanted. But I'm equally chuffed now that I have them and probably appreciate them even more now that I look at them, filled with nostalgia.
DazedAndConfused 60
November 1999
Back cover
-
Supplement ft. Gilles Peterson


Dazed&Confused 35
October 1997
Special music issue.
Artists in first 3 images:
1. Goldie
2. Autechre, Aphex Twin, Nightmares on Wax,
Squarepusher, Roni Size, Krust, Suu, Die,
3. Adam F, Majic, Justice, Technical Itch, DJ Hype, DJ Zinc, Intense, DJ Pulse, Blame, Optical, Nico, Underwolves, Dom&Roland, Rob Playford, Aquasky, Dillinja, DJ Ron, Boymerang, Lemon D, Flytronix, Matrix.
HEART x INFINITE.


DazedAndConfused 61
November/December 1999/2000
End of the millennium / century issue





Tuesday, 23 March 2010
Tuesday, 9 March 2010
End of term rant.
My MBP crashed last week. Great timing. I'm now in my rehearsal/deadline week and this completely messed up my routine. It's actually a bit ridiculous; even though I've managed to borrow a MB for the week, (big thanks to Marcus & Tyrone) I'm nervous and can't eat or sleep right. I've had to re-photograph most of my work and redesign my presentation, not to mention the agony of having to re-write context. Can you see the big, angry raised up middle finger growing out of my forehead yet? Thankfully my presentation rehearsal went reasonably well today. (see selection of pdf thumbnails below, don't pay attention to the rubbish blurbs.) Now I'm going to finish context and get rid of this god-awful feeling in my belly. DO IT DO IT DO IT!
Sunday, 21 February 2010
Homework II.
Pierre Soulages is also known as "the painter of black" because of his interest in the colour, "...both a colour and a non-colour. When light is reflected on black, it transforms and transmutes it. It opens up a mental field all of its own". He sees light as a matter to work with; striations of the black surface of his paintings enables him to make the light reflect, allowing the black to come out from darkness and into brightness, thereby becoming a luminous colour.
Word. You better recognize.
For a brief I had to collect a minimum of 50 and a maximum of 100 texts (or images). I was stuck for about 2 weeks. I then decided to pull the self-indulgence card so I collected 100 black things I own (yeah, not so hard) and had a little improvised photoshoot. Yay, photography + everything black = pins&needles&fun! After editing I ended up with 4 A3 5x5 grids of black stuff. Oh how purdy, I thought at first. But the longer I looked at and mulled over the collection, the more sickening the sight of it became. I felt that I had somehow managed to sum up my obsessions, wants, preferences, characteristics, virtues and vices with a visual collection of a bunch of stuff. So with the realization that this is actually all just stuff and it wouldn't necessarily have to be my stuff, I distanced myself from this collection as it being a personal collection and made the project about the material consequences of everything we experience and every decision we make. Aesthetically the blackness worked to the concepts advantage, so I was lucky. For the final crit I did a full color A1 poster, (see below). It's a first draft, it needs typographic changes and a little less obviousness. Will keep you posted on the end result.
Word. You better recognize.
For a brief I had to collect a minimum of 50 and a maximum of 100 texts (or images). I was stuck for about 2 weeks. I then decided to pull the self-indulgence card so I collected 100 black things I own (yeah, not so hard) and had a little improvised photoshoot. Yay, photography + everything black = pins&needles&fun! After editing I ended up with 4 A3 5x5 grids of black stuff. Oh how purdy, I thought at first. But the longer I looked at and mulled over the collection, the more sickening the sight of it became. I felt that I had somehow managed to sum up my obsessions, wants, preferences, characteristics, virtues and vices with a visual collection of a bunch of stuff. So with the realization that this is actually all just stuff and it wouldn't necessarily have to be my stuff, I distanced myself from this collection as it being a personal collection and made the project about the material consequences of everything we experience and every decision we make. Aesthetically the blackness worked to the concepts advantage, so I was lucky. For the final crit I did a full color A1 poster, (see below). It's a first draft, it needs typographic changes and a little less obviousness. Will keep you posted on the end result.
Tuesday, 26 January 2010
Homework.
The lovely art direction brief is over, time a for a break. BNZL wishes Andreas Christie Ryalen all the best for his future projects! x

A selection of spreads from our little magazine project.












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